Sunderkand Paath by Pandit Somnath Sharmaji. No thanks Try it free. Find out why Close. SUNDERKAND Paath by Somnath Sharma ( SOFTALK (full ver) ) Umesh Gupta.
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Contents • • • • • • • • • • • • • • • Early life [ ] Mukesh was born in in a family. His parents were Zorawar Chand Mathur, an engineer, and Chandrani Mathur. He was the sixth in a family of ten children. The music teacher who came home to teach Mukesh's sister, Sundar Pyari, found a pupil in Mukesh, who would listen from the adjoining room.
Mukesh left school after the 10th grade and worked briefly for the Department of. He experimented with voice recordings during his employment in Delhi and gradually developed his singing abilities and also his musical instrumental skills. Singing career [ ] Mukesh's voice was first noticed by, a distant relative, when he sang at his sister's wedding. Motilal took him to and arranged for singing lessons by Pandit Jagannath Prasad. During this period Mukesh was offered a role as an actor-singer in a Hindi film, Nirdosh (1941). His first song was 'Dil Hi Bujha Hua Ho To' as an actor-singer for Nirdosh.
He got his break as a playback singer for actor Motilal in 1945 with the film Pehli Nazar with music composed by and lyrics written by Aah Sitapuri. The first song that he sang for a Hindi film was 'Dil Jalta Hai To Jalne De'. Mukesh was such a fan of singer that in his early years of playback singing he used to imitate his idol. In fact, it is said that when K. Saigal first heard the song 'Dil Jalta Hai.' , he remarked, 'That's strange, I don't recall singing that song'.
Mukesh created his own singing style with the help of music director, who helped Mukesh to come out of his Saigal style and create his own style. Naushad gave him songs for the film.
Initially Mukesh was the ghost voice of in this movie and sang for. He delivered many Hits for Naushad in films like: Anokhi Ada (1948), (1948), (1949).
Other composers who used Mukesh voice for great Dilip Kumar in hit songs like 'Jeevan Sapna toot gaya' were Anil Biswas in Anokha Pyar, Ye Mera Diwanapan hai, Shankar-Jaikishan in Yahudi and Suhana Safar and Dil Tadap Tadap ke, Salil Choudhary in Madhumati. However, later Dilip Kumar choose as his ghost voice and Mukesh became the ghost voice of Raj Kapoor. Mukesh recorded highest number of songs for Shankar Jaikishan ie 133 songs followed by kalyanji Anandji ie 99 songs. Out of 4 Filmfare awards, Mukesh won 3 awards for Shankar Jaikishan songs In 1974, Mukesh received for the song 'Kai Baar Yuhi Dekha Hai' from (1974), and for the songs 'Sab Kuch Seekha Humne' in the movie Anari (1959), 'Sabse Bada Naadan Wahi Hai' in Pehchaan (1970), 'Jai Bolo Beimaan Ki' in Beimaan (1972) (all the three songs composed by Shankar Jaikishan) and ', the title song of film (1976) (composed by Khayyam). A total of around 1,300 songs were sung by him. This number is less than those sung by some of his contemporaries, but the fact is that Mukesh emphasised on quality rather than quantity.
The comparatively fewer songs sung by him in the 1970s can be attributed to his failing health due to his worsening heart problem. Mukesh sang many songs for Kalyanji Anandji music director duo. Mukesh sang more songs with the K-A duo after Shankar Jaikishan.
From 'Naina hai jadoo bhare.' Bedard Zamana Kya Jane (1958) composed by Kalyanji alone as Kalyanji Virji Shah, and 'Main hoon mast madari.' (1959) as the first Kalyanji-Anandji-Mukesh combo, to 'Chahe aaj mujhe napasand karo', the K-A, Mukesh combination gave numerous popular songs like 'Chhalia mera naam.' Free download ebook teknik forex sebenar v3.
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